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April 26 2017

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Reposted fromkoscheiis koscheiis

April 25 2017

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Was ist Soup.io?
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turakamyou:

When your shadow reveals your true form

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giraffepoliceforce:

vnicent:

otteroftheworld:

My parents live in this town and the city legally can’t tear the tree down to build or anything because the tree has its own legal rights and they can’t do anything about it.

how does. how does this happen. how DID this happen

I love this story because this guy in the early 1800’s had so many great childhood memories of this tree and wanted to make sure it was protected no matter what. So he deeded the ownership of the tree to itself and everyone just went with it.

Then in 1942 this intense windstorm came and knocked the tree over. And people were bummed. But someone had saved an acorn from the original tree, so they planted that and now Son of the Tree That Owns Itself is over 50 feet tall.

And since this new tree is technically the offspring of the original tree it’s considered to have legally inherited the plot of land it’s inhabiting.

Two generations of trees owning land is amazing and if you don’t think this is the coolest thing get right out of my face.

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Lorenzo Bernini: Memento mori
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gaslightgallows:

rhube:

lionowlonao3:

revolutionary-pirate:

modernmissbennet:

starsfadingbutilingeron:

modernmissbennet:

people in period clothing doing modern things is my aesthetic

i can’t believe you forgot the most important one

thank you! I couldn’t find that one in google!

I would like to add Alexander Hamilton himself to this collection.

and of course, alexandra dowling using a tablet computer on the set of BBC musketeers 

You forgot my favourites.

These are all canon.

Reposted fromchantgirl chantgirl viaAnna-Hexe Anna-Hexe
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Forget Waldo, where's your fandom?
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janiedean:

lunavagantt:

shut-up-im-trippin:

videaudio:

Fuck i missed the flight

@janiedean loro sul treno di gesù, noi stiamo su questo aereo qua

APPROVO

Reposted fromthekunstisme thekunstisme viaAnna-Hexe Anna-Hexe
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crossedbeams:

freshprincemomma:

sassy-hook:

pleasant-trees:

aprilsvigil:

manticoreimaginary:

Watching this (and fearing broken ankles with each loop) I can’t helping thinking about that old quote Ginger Rogers did everything Fred Astaire did, except backwards and in high heels.

But no, if you watch closely you’ll see she doesn’t even step on the last chair. That means she had to trust that fucker to lift her gently to the ground while he was spinning down onto that chair. That takes major guts. I’d be pissing myself and fearing a broken neck if I were in her place. Kudos to her. 

I can’t stop watching this. 

#I watched this for too long to not reblog

Whoa.

Okay so this is true, but a tiny part of a wider truth. 

Ginger Rogers was a FUCKING BADASS. Ignore for a sec the rampant sexism in Hollywood (they once bleached  her hair blonde in wardrobe without telling her beforehand), the fact that she fought her whole career against typecasting and stereotyping from fellow actors (Katharine Hepburn famously said of the Astaire/Rogers partnership “she gave him sex. He gave her class” ) for starting out in musicals, and went on to have a career lasting over fifty years, winning a Best Actress Oscar (Kitty Foyle, 1940). But… JUST focusing on the Astaire movies…

Not only did she dance “backwards” in high heels, the dances were a task in themselves. Astaire was an absolute perfectionist and choreographed for himself, so as a younger, less experienced dancer Rogers came in at a disadvantage and worked her ass off to match him. 

Then there’s the filming complications… these numbers were filmed in ONE TAKE. So one thing goes wrong and you have to start over. Maybe you make a mistake or maybe your dress flies up because…

Ginger had to contend with her wardrobe. Dancing in heels is the norm at this time, but dancing in a dress designed for cinema cameras… not so much. They were heavy, embellished, uncomfortable, restrictive and cumbersome and essentially a third member of the dance, strapped to the body of one partner.Not only did she have to dance and look good, she had to control the dress too!

Take this routine from Swing Time… (it gets going proper at 1:30ish)

This dress has weights, YES WEIGHTS, sewn in to the hem to make it fly out and create a visual effect. So it’s heavy, it hurts if it hits you, and your partner gets mad if it hits him. So you gotta control it. 

Well it turns out all these factors on this set, this particular day aren’t going so well. So you’re doing take after take, here’s no labour laws, so at 4am after 18 hours you’re still going, even though part of the routine requires you to spin up those curved stairs with no rail at high speed….

Okay so now back to those high heels. In Ginger’s autobiography she vividly remembers this night as the night she bled though her shoes. They did so many takes, her feet blistered, bled, and the white satin high heels she was wearing finished he night pink because they were literally full of blood. And still they keep shooting. She keeps dancing.

The take they use in the film is the last. Early hours. Bloody feet. And she spins, acts and bosses out until that last second. Because she was that professional, talented and bloody minded. This is the last set of spins… 

So I say once again. Ginger Rogers was a badass.

She did everything Fred Astaire did backwards, in high heels, wearing a 20 pound dress, exhausted, injured and standing in a pool of her own blood. And watching her perform, you would never know.

Reposted frombirchsoda birchsoda viaAnna-Hexe Anna-Hexe
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templeofapelles:

Albert-Joseph Pénot,
Départ pour le Sabbat, 1910
(Aufbruch zum Hexensabbat)

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since-the-900s:

link6echo:

snitchwillow:

woodelf68:

catgifcentral:

…and she’s gone 

Another victim of the Void.

I love her facial expression right before she slips through lol. she just pauses and is like “welp, here I go, goodbye world”

I woke my bf up by cackling for WAY too long over this

Reposted fromsweetiekai sweetiekai viaAnna-Hexe Anna-Hexe
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